Movies Marcus Theatres is your resource for movies. Find a film from three categories – now playing, coming soon or event cinema, which includes a variety of live and recorded entertainment beyond traditional films. Event Cinema content may include sports, opera, ballet, musicals, concerts and more. Search movies by category. Learn more about the movie and even watch trailers – just by clicking on a movie poster. Find local theatres and showtimes to match your schedule and be sure to check out any special amenities at the theatre.
A fan film is a film or video inspired by a film, television program, comic book or a similar source, created by fans rather than by the source's copyright holders or creators. Fan filmmakers have traditionally been amateurs, but some of the most notable films have actually been produced by professional filmmakers as film school class projects or as demonstration reels. Fan films vary tremendously in length, from short faux-teaser trailers for non-existent motion pictures to rarer full-length motion pictures.
Marcus Theatres is your resource for movies. Find a film from three categories – now playing, coming soon or event cinema, which includes a variety of live and recorded entertainment beyond traditional films. Event Cinema content may include sports, opera, ballet, musicals, concerts and more.
Superheroes, swimsuits, and sci-fi surprises await you in our Summer Movie Guide. Take note of the hotly anticipated titles of the upcoming season and get planning.
Before the advent of digital alternatives, the cost of professional film equipment and stock was also a hurdle to being able to produce, direct, or star in a traditional studio film. But the advent of consumer camcorders in 1985, and more importantly, the arrival of high-resolution digital video in the early 1990s, have lowered the technology barrier to film production significantly. Both production and post-production costs have been significantly lowered; in the 2000s, the hardware and software for post-production can be installed in a commodity-based personal computer. Technologies such as DVDs, FireWire connections and a wide variety of professional and consumer-grade video editing software make film-making relatively affordable.
The decades following the decline of the studio system in the 1960s saw changes in the production and style of film. Various New Wave movements (including the French New Wave, Indian New Wave, Japanese New Wave, and New Hollywood) and the rise of film-school-educated independent filmmakers contributed to the changes the medium experienced in the latter half of the 20th century. Digital technology has been the driving force for change throughout the 1990s and into the 2000s. Digital 3D projection largely replaced earlier problem-prone 3D film systems and has become popular in the early 2010s.
Films were originally recorded onto plastic film through a photochemical process and then shown through a movie projector onto a large screen. The adoption of CGI-based special effects led to the use of digital intermediates. Most contemporary films are now fully digital through the entire process of production, distribution, and exhibition from start to finish. Films recorded in a photochemical form traditionally included an analogous optical soundtrack, which is a graphic recording of the spoken words, music and other sounds that accompany the images. It runs along a portion of the film exclusively reserved for it and is not projected.
As a medium, film is not limited to motion pictures, since the technology developed as the basis for photography. It can be used to present a progressive sequence of still images in the form of a slideshow. Film has also been incorporated into multimedia presentations and often has importance as primary historical documentation. However, historic films have problems in terms of preservation and storage, and the motion picture industry is exploring many alternatives. Most films on cellulose nitrate base have been copied onto modern safety films. Some studios save color films through the use of separation masters: three B&W negatives each exposed through red, green, or blue filters (essentially a reverse of the Technicolor process). Digital methods have also been used to restore films, although their continued obsolescence cycle makes them (as of 2006) a poor choice for long-term preservation. Film preservation of decaying film stock is a matter of concern to both film historians and archivists and to companies interested in preserving their existing products in order to make them available to future generations (and thereby increase revenue). Preservation is generally a higher concern for nitrate and single-strip color films, due to their high decay rates; black-and-white films on safety bases and color films preserved on Technicolor imbibition prints tend to keep up much better, assuming proper handling and storage.
The necessary steps for almost any film can be boiled down to conception, planning, execution, revision, and distribution. The more involved the production, the more significant each of the steps becomes. In a typical production cycle of a Hollywood-style film, these main stages are defined as:
In U.S. usage, one talks of a "screening" or "projection" of a movie or video on a screen at a public or private "theater." In British English, a "film showing" happens at a cinema (never a "theatre", which is a different medium and place altogether). A cinema usually refers to an arena designed specifically to exhibit films, where the screen is affixed to a wall, while a theater usually refers to a place where live, non-recorded action or combination thereof occurs from a podium or other type of stage, including the amphitheater. Theaters can still screen movies in them, though the theater would be retrofitted to do so. One might propose "going to the cinema" when referring to the activity, or sometimes "to the pictures" in British English, whereas the U.S. expression is usually "going to the movies." A cinema usually shows a mass-marketed movie using a front-projection screen process with either a film projector or, more recently, with a digital projector. But, cinemas may also show theatrical movies from their home video transfers that include Blu-ray Disc, DVD, and videocassette when they possess sufficient projection quality or based upon need, such as movies that exist only in their transferred state, which may be due to the loss or deterioration of the film master and prints from which the movie originally existed. Due to the advent of digital film production and distribution, physical film might be absent entirely. A "double feature" is a screening of two independently marketed, stand-alone feature films. A "viewing" is a watching of a film. "Sales" and "at the box office" refer to tickets sold at a theater, or more currently, rights sold for individual showings. A "release" is the distribution and often simultaneous screening of a film. A "preview" is a screening in advance of the main release.
The rise of European cinema was interrupted by the outbreak of World War I, while the film industry in the United States flourished with the rise of Hollywood, typified most prominently by the innovative work of D. W. Griffith in The Birth of a Nation and Intolerance . However, in the 1920s, European filmmakers such as Sergei Eisenstein, F. W. Murnau and Fritz Lang, in many ways inspired by the meteoric wartime progress of film through Griffith, along with the contributions of Charles Chaplin, Buster Keaton and others, quickly caught up with American film-making and continued to further advance the medium.
Any film may also have a "sequel", which portrays events following those in the film. Bride of Frankenstein is an early example. When there are more films than one with the same characters, story arcs, or subject themes, these movies become a "series," such as the James Bond series. And, existing outside of a specific story timeline usually, does not exclude a film from being part of a series. A film that portrays events occurring earlier in a timeline with those in another film, but is released after that film, is sometimes called a "prequel," an example being Butch and Sundance: The Early Days.
The terminology used for describing motion pictures varies considerably between British and American English. In British usage, the name of the medium is "film". The word "movie" is understood but seldom used. Additionally, "the pictures" (plural) is used semi-frequently to refer to the place where movies are exhibited, while in American English this may be called "the movies", but it is becoming outdated. In other countries, the place where movies are exhibited may be called a cinema or movie theatre. By contrast, in the United States, "movie" is the predominant form. Although the words "film" and "movie" are sometimes used interchangeably, "film" is more often used when considering artistic, theoretical, or technical aspects. The term "movies" more often refers to entertainment or commercial aspects, as where to go for fun evening on a date. For example, a book titled "How to Understand a Film" would probably be about the aesthetics or theory of film, while a book entitled "Let's Go to the Movies" would probably be about the history of entertaining movies and blockbusters.
Since the introduction of digital video DV technology, the means of production have become more democratized. Filmmakers can conceivably shoot a film with a digital video camera and edit the film, create and edit the sound and music, and mix the final cut on a high-end home computer. However, while the means of production may be democratized, financing, distribution, and marketing remain difficult to accomplish outside the traditional system. Most independent filmmakers rely on film festivals to get their films noticed and sold for distribution. The arrival of internet-based video websites such as YouTube and Veoh has further changed the filmmaking landscape, enabling indie filmmakers to make their films available to the public.
A film crew is a group of people hired by a film company, employed during the "production" or "photography" phase, for the purpose of producing a film or motion picture. Crew is distinguished from cast, who are the actors who appear in front of the camera or provide voices for characters in the film. The crew interacts with but is also distinct from the production staff, consisting of producers, managers, company representatives, their assistants, and those whose primary responsibility falls in pre-production or post-production phases, such as screenwriters and film editors. Communication between production and crew generally passes through the director and his/her staff of assistants. Medium-to-large crews are generally divided into departments with well-defined hierarchies and standards for interaction and cooperation between the departments. Other than acting, the crew handles everything in the photography phase: props and costumes, shooting, sound, electrics (i.e., lights), sets, and production special effects. Caterers (known in the film industry as "craft services") are usually not considered part of the crew.
The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show. From the Critics From RT Users Like You! Fresh The Tomatometer is 60% or higher. Rotten The Tomatometer is 59% or lower. Certified Fresh Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from ytpak.onlineTop Critics. Audience Score Percentage of users who rate a movie or TV show positively. Learn More Word Count: 2011 If you are not happy with the essay generated, please use the form below to generate a brand new essay again.
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n 2015, England's local authorities built fewer than 3,000 new dwellings, really a small fraction of the estimated 250,000 new dwellings requirement every year to meet demand. But one council had already begun structure again in work, in what some see as a mannequin for address the dwelling crisis. On the outskirts of Sheffield, hundreds of new dwellings are springing up, built by the council to room standards that have all but disappeared in the private sector organizations. New citizens- the majority are 25-35 year olds- say they are impressed by the designs and spaciousness, and experience their close proximity to the city. But this is not a return to the age of 1950 s and 1960 s committee structure. What Sheffield Living Company( SHC) is doing is partnering with contractors to construct low-cost dwellings for first-time purchasers and categories alongside houses and flats to rent at affordable prices, and with renters better protected. People have already moved into dwellings at Cutler's View, and Brearley Springs and Brearley Forge, listed after Harry Brearley, the discoverer of stainless steel. Of 325 ended dwellings, 237 have been sold in so far. The semi-detached residences- all with garden-varieties- are selling from PS99, 995 for a two-bed, PS152, 00 for a three-bed and really over PS200, 000 for a four-bed, with 88 of them for affordable payment or shared possession. There are plans for 24 apartments. Affordable payment is based on 80% of market value- for example, a three-bedroom semi-detached residence with drive and enormous back garden-variety is around PS115 per week. "There wasnt" making fees, and tenants' rights are the same as for traditional committee renters. Allocation is based on dwelling needs. Sheffield has managed to do what the private sector organizations, on its own, failed to do: build low-cost housing in areas that until now have been regarded as ramshackle or run-down. SHC sprang out of a 2007 strategy by then dwelling rector Yvette Cooper, who had a image of councils partnering with private developers to build on regional committee district. She listed 14 congress that would open schemes, constructing 35,000 dwellings. But only 3 have been successfully established, with Sheffield resulting the acces on volume. SHC is a partnership between Sheffield council, housebuilder Keepmoat and Great Places Housing Group, which will manage the affordable rented dwellings. It wants to restore publicly funded dwelling to areas that prospered during the 1950 s public-sector housing upturn but declined when the steel and coal industries went into decline and unemployment rose in the 1970 s and 80 s. John Clephan, job administrator at SHC, supposes:" The private sector organizations didn't want to come in because the district price was low-spirited and because of health risks- nobody is was constructing or selling in these areas ." The council didn't want to go it alone either, because it shortfall the expertise to build and sell dwellings on the free market, and was wary of taking on all the risk. The joint dare suited members of the council because it was able to retain control over the quality of the dwelling and the rush at which it was built, supposes Clephan. Set up in 2011, SHC lost no time and began constructing the following year, with plans to construct 2,300 dwellings across the city by 2025. Formerly one batch of dwellings is finished, the company examines it with feedback from residents and nips the design of the next batch where needed. It supposes dwellings are on average 11% greater than those of analogous cost elsewhere in the city. Shirley Eckhardt, 71, lives in one of the new committee dwellings in Cutler's View , not far from the now-demolished committee residence where she lived for 19 years with her late husband. She pays a discounted payment of PS46. 46 a week. Her neighbours- a family with three children and another female who lives on her own- have bought their properties." Every other residence is bought - it's a right mixture ," Eckhardt says. Why are Britain's new dwellings built so badly ?
Read more Rhiannon Parry, who bought a residence at Cutler's View, replied at the time:" From initially looking at houses to is moving forward it was 26 epoches, so that was obviously a very quick turnaround. You've got enormous passages and extra headroom. Even my father, he is hard to please, and he couldn't actually fault the house at all, which amazed me ." Other congress are understood to be closely watching Sheffield's experience. Council building peaked in the late 1960 s at more than 425,000, but collapsed to a low-neck of 130 new units in 2004, according to data. Nonetheless, dwelling associations have replenished some of the gap in recent years, ending 34,890 in 2015: "the worlds largest" since 1995. Nearly half of 112 congress that took part in the 2015 referendum had either lay out or were considering creating their own dwelling fellowship. Fourteen had already set one up, and 38 were considering it. Of those, 11 have since initiated a company or are due to do so, supposes Huub Nieuwstadt, scribe of the survey results. They include Bournemouth, South Northamptonshire and Wolverhampton. While the cap on committee borrowing for dwelling had still not been unwound, other recent changes mean that some local authorities get more headroom. Another rationalization for congress constructing is that the Economical Housing Grant governs were changed in the later years of the Labour authority, admitting congress to get subsidies to build again. Let members of the council build dwellings again and correct our busted dwelling busines Patrick Collinson
Read more Croydon council initiated Brick by Brick last year- an independent growing fellowship that plans to build 1,100 dwellings in the next two years, half of which will be affordable. Managing director Colm Lacey was of the view that, as an independent fellowship, Brick by Brick does not have to go through the public procurement process, but is able to buy district and acquire cheaply from members of the council. Revenues from dwellings built and sold, as well as income from fees, will go to the council, as 100% stockholder in the company. Lacey supposes:" We don't have to go out and rival, and don't overpay for district or mezzanine financing, and can yield more affordable dwelling ." Profit-driven private developers tend to" overpay for district and presuppose they won't have to deliver 50% affordable dwelling ". Toby Lloyd, head of housing development at the homeless kindnes Shelter, supposes:" If public territory is sold on the free market, the highest bidder is likely to be the one that constitutes the most aggressive hypothesis about the amount of affordable dwelling they will have to provide. So competitive auction for district tend to mean that the worst possible intrigue will be the one that gets built ." However congress still struggle with "the member states national" government restraint on regional government borrowing to build dwellings because it countings towards public sector deficit and government debts representations. The UK is almost unique in this among major economies, supposes Lloyd. Along with other experts, he believes the UK should join international standard accounting practice. The history makers Arguably Britain's oldest committee owned is the Grade II rostered Boundary Estate centred around Arnold Circus in eastern London. Influenced by the Arts and Crafts movement, it was has been established by London County Council in 1890 to replace a notorious shanty, and a century eventually is still a sought-after, high-density urban settings of the different types planners read Britain's municipals urgently necessary. Nonetheless, Liverpool are likely lay claim to the first ever council-built lie, with the city firm behind the 1869 structure of St Martin's Cottages, tenement housing that was dismantled in 1977. Nonetheless the modern age of mass committee residence constructing did not really take off until after the first world war. * 1919 Lloyd George's Liberal authority elapses the Housing Act, the first statute requiring congress to provide dwelling. It predicted 500,000" Homes for Heroes" within three years, although by the early 1920 s simply 213,000 had been completed. * 1930 A fresh Housing Act held subsidies to congress to clear regional shanties and re-house the poor, with around 700,000 new dwellings built. Nonetheless austerity strokes that followed the fiscal depression met subsidies swallow and committee structure braked. This was the age when building cultures expanded rapidly, financing the first upturn in owner-occupation, led by the Abbey Road building society( now Santander ). * 1939 Outbreak of the second world war. In total, 1.1 m committee dwellings were built during the 21 -year-long inter-war date, compared with fewer than 30,000 in the past two decades since 1995. * 1942 The Beveridge Report predicts a huge post-war committee residence structure programme and payment control in the private rented sector. * 1945-51 Clement Atlee's Labour government supervises construction sites of 1m dwellings, 80% of them committee, to replace dwelling lost from bombing. * 1951 Conservatives return to power, but consecutive post-war authorities rival to build more dwelling. Neighbourhood government structure hits a pinnacle of 239,580 in 1954. * 1968 The first major resistance against prefabricated cheap high-rise committee dwelling, after a gas explosion partly destroys Ronan Point, a tower block in Newham, east London, killing four. * 1979 Margaret Thatcher becomes "ministers ", at a time when two fifths of the British person are living in regional government housing. * 1980 Thatcher introduces the right to buy, stimulating countless renters to buy their committee dwellings. Concessions for committee residence structure are scrapped, and limits put on the ability of councils to borrow. * 1985 The new Housing Act promotes the large-scale give of council-owned properties to dwelling associations * 2004 Building by congress sags to an all experience low-grade of really 130 units across the entire country.house for sale in derby * 2017 Expecting premiums on onetime committee flats in the Boundary Estate reach PS9 50,000.
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Brutal plays Football
Recently, Jon Hare of Sensible Software fame spoke about how the Speedball 2 HD redux was framed with what he called' communal multiplayer' in intellect. Massively massive online shenanigans has kind of represented the concept a lesser discerned monster amongst gamers, but back in yonder daytime there was something quite special about this specific label of performance. It often implied a tiny area of the bedroom with an Amiga disk-drive chugging away in the background and a d! ckhead brother for busines, but there was little else more joyous than each of you mashing the f* ck out of a zipstick in an attempt to totally humiliate the other on the likes of Sensible Soccer , Kick Off or the aforementioned Speedball 2 . The simple-minded delight of scratching it in when you attracted off a spectacularly exalted part of skill entwined with the appeals of' luck git' or that video games was cheating you two are a constant charm. No spikey 12 -year-olds hollering death-threats down a head-set here; a good old-fashioned brotherly wrestling would sort out legal disputes. Within this context Brutal Sports Footballwas a particular highlighting of the communal multiplayer situation .
That it was particularly Brutal is perhaps why most former Amiga owneds find it a comparatively memorable experience. A hybrid of rugby and American football in a fantasy lay with Viking/ Northmen use artilleries to lash the blue inferno out of the opposition, Brutal Sports Football fully fitted into the Blood Bowl zeitgeist of the early nineties. Perforating opponents and stomping on them whilst they are down is gleefully inspired alongside the more traditional method of attacking. Swords and shields endeavour to make the trouncings even more deadly. The more mar received the increasing likelihood that a player will cark it, at which point a truly beautiful concept happens. With too much penalty taken the player's manager pops off in a rain of gore, often like a fierce champagne cork ready to explosion. And everyone cherishes a bit of manager. From Ash lopping off his girlfriend's noggin with a blunt shovel in Evil Dead 2 to wrestling love singing' we want manager' whenever Al Snow made an appearance, decapitation is pleasantly cathartic.
Obviously, more activity does exist but in two player mode scoring was often left on the side-lines so that the constant trouncings could reign supreme. With succes possible through outright decimation of your opponent's crew what are you not choose this option? If for some reason you did contend with playing video games like a gimp ... eh, I necessitate less ruthlessly, then Brutal Sports Football begins to resemble a more straightforward plays designation. Played across two-halves of 7 hours each, the aim is simply to score more aims than the other crew. With two goals set into the brickwork at either point of a lovingly styled gladiatorial arena the dance is also possible kicked, thrown or run into the opponent point to register a rating. Fairly simple-minded really! Of trend, the brutal tactics available make this more complicated, as do power-ups that can rotate a game hurriedly. Freeze blocks, lightning bolts and grenades add to the carnage, but having the dance sprout legs so it can run in future directions of the goals and targets you are attacking is much more cunningly celebrated. Hares and tortoises sometimes run across the battleground as well, altering player hasten respectively.
In addition Brutal Sports Football is a good looking activity to get ones retinas around. The big cartoonish actors are well defined against a lovingly crafted and colourful athletic field. The little touches are evenly pleading, be it the turf slowly becoming ever more darkened as video games goes on to the corpses continuing littered on the battleground. You can even pick up the decapitated heads and throw them around for chuckles! Although the scrolling does have a dres of chugging ever so-slightly and the flow of it all never really get beyond a medium tempo( it doesn't feature Speedball 2 's striking brutality that's for sure ), sprites are well-animated and perfect for the number of jobs in hand. The lecture all around is lovingly designed and music and in-game consequences are as they should be. From a communal multiplayer perspective, Brutal Sports Football has most of its sh! t in all the right places.
Shame then that when such a notion is removed the game begins to squander as a single player entity. The first refer to affect one's mono-brow is the lack of magnitude available. Sure it has a league plan to play-through, but this is simply a clean and repeat exercising. Victory and decapitations provision a variable amount of money at the end of each competition yet this can only be spent on hindering your force of actors health, which does include reattaching discombobulated heads. "There wasnt" conveys, sciences modernizes, or bugger everything else to do as a handling try in video games. It are quite performance, recover, performance, recover and play video games until the end of epoches. Simple-minded and straightforward yes, but pitted against contemporaries the appeal of Brutal Sports Footballstarts to dwindle.
Unfortunately the extent of the single player objection is also a problem. Battling through four disagreements of four crews( six activities per divide) does provision a impression of longevity, and this is helped along by the unique play-styles of the lizardmen and rhino crews( not available in the gregarious gaming mode) on account that the game is doing something somewhat different. Alas, it's a little bit of a charade. It doesn't take long to work out these creature-based crews- mashing them into a bloody pulp often does the ruse- and whilst the AI does scale as you are promoted through the tournament plan this starts from a quite low baseline. It's not uncommon to hand out 12-0 wallopings in season 1 and sure, the score-lines do narrow as the A.I. becomes less of a three-legged pony, but not nearly enough to hassle a proficient player too much.
Unfortunately the extent of the single player objection is also a problem. Battling through four disagreements of four crews( six activities per divide) does provision a impression of longevity, and this is helped along by the unique play-styles of the lizardmen and rhino crews( not available in the gregarious gaming mode) on account that the game is doing something somewhat different. Alas, it's a little bit of a charade. It doesn't take long to work out these creature-based crews- mashing them into a bloody pulp often does the ruse- and whilst the A.I. does scale as you are promoted through the tournament plan this starts from a quite low baseline. It's not uncommon to hand out 12-0 wallopings in season 1 and sure, the score-lines do narrow as the A.I. becomes less of a three-legged pony, but not nearly enough to hassle a proficient player too much.
Tellingly, there is no Super Nashwan here to invariably p* ss in your cereals; instead infuriatingly difficult opponents shall be substituted for power-ups that are far too over-powered. Pick up the bunny and you can practically move the length of the field and rating with just anyone getting close to making a tackle. Likewise, plummeting the suspension and lightning power-ups at the right time means you can canter over the line for another rating with little difficulty at all. And exceedingly gradually Brutal Sports Football get ever so somewhat laborious because the challenge simply is not there. This is no longer helped by the seven hours per half. An option to change the duration of a competition would then be greet, but all it does here is allow a game that you acquired some five minutes ago to drag out until the end of immortality. Even the cathartic head-popping gradually losses its goofy petition, which are likely replies everything that needs to be said about the single player project.
Missing the magnitude and objection of its contemporaries pretty much demotes Brutal Sports Footballto a game of two-halves( and ridiculous football cliches, patently ). On the one side we have a essential single player mode that get dull all too quickly; on the other a gloriously entertaining two-player experience "thats appropriate" up there with the picking of other communal multiplayer names. It does make me pine for my d* ckhead brother- he'll be glad to know that he is actually useful for something- for the trouncings that were handed out at the descended side of my mad gaming sciences, but dang is that single-player mode disappointing. Eventually, loved it while it lasts but stick with Speedball 2 ,Sensible Soccer or Kick Off whenever you get that retro itch.
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